This Is the Way Poetry Month Ends

It ended with a howl!

This is a photo taken April 29, 2023, of Talena Lachelle Queen, the poet laureate of Paterson, NJ, reading Allen Ginsberg's virtually unreadable "Howl" at the Paterson Museum, where Ginsberg once read his poetry decades ago.

Although National Poetry Month has ended, "Paterson's Poets: Voices From The Silk City" will remain on exhibit there (at 2 Market St.) through June 24.

As the museum notes: "Since its founding in 1792, Paterson has been home to many poets. Still more have visited Paterson and been enthused by the beauty of the Great Falls or the ingenuity of the city's residents. This exhibit celebrates and honors the poets who were not only inspired by Paterson, but became a part of our community, whether they lived, worked or played here."

On intriguing display features "The Bulldog Poets" of School No. 4, a group founded by ESL teacher Joseph Verilla in 1994. Their motto: "No bull, just dog." According to the exhibit, poets Kamarra Fabor, Leslie Graham, Shernese Myers and La-Chaka Price drew from their experiences with crime, drugs and family struggles, and won acclaim at the Geraldine R. Dodge Poetry Festival in 1996. Earlier this month at a museum event, four members of the group re-created a photo from the '90s. Thanks to Chris Fabor Muhammad of yourcreativeforce.com for letting me re-post it here:

As for me, I'm ending poetry month with another prompted poem (with the prompt as the title), a little longer than usual, although not at all inspired by "Howl." 🙂

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What Have You Learned from the Study of Other Languages?

 

I studied Classical Latin, taught by “Father Bone Ass”

at a Catholic university called “Our Lady of the Lake” in French.

My professor was also my dormitory’s rector

charged with the enforcement of “parietals,”

which has nothing, and everything, to do with biology.

 

His name was literally “Banas,” a common word root for “being unbearable”

in the Tagalog dialect in the Filipino language.

Not quite “unbearable,” either.

“Banas” is a mix of sweltering humidity and annoyance

specific to the Austronesian climate.

 

Father Banas had a dry sense of humor.

He of course knew his crude, banal nickname,

although “Bone Ass” is untranslatable in Tagalog.

My professor bore our boorishness with a patient smile.

He taught Catullus, a poet who is untranslatable in English.

 

Which Father Banas also, of course, knew to be true.

 

We struggled in translation.

As an inside joke, he gave our class advice from a modern poet.

Yevgeny Yevtushenko had said that translations are like women:

The more beautiful they are, the less true.

Or Russian words to that effect.

 

What I heard in English studying Classical Latin inspired a love of poetry,

the way Yevtushenko inspired a generation of young Russians

in their fight against Stalinism during the Cold War.

I am not a fighter, or a lover.

I am an observer.

 

I watched as Catullus’ poems for Lesbia

sank deeper and deeper into perversity.

The poet had no Latin words for the passion he sought to express.

“Odi et amo” encapsulated a messy entanglement of obsession and desire,

of love that strains against calcification in verse.

 

Of “love” only poets can begin to untangle.

 

And then I wondered, what is “perverse”?

I was born and raised in New Jersey,

on land the Dutch stole from the Lenni Lenape

and named after the Delaware Indian word

meaning “between the mountains and the water.”

 

Once Father Banas sat at my breakfast table

when he saw I was eating alone in a campus dining hall.

He was always kind, and he knew I was homesick,

alone on the shores of St. Mary’s Lake,

missing my life between the mountains and the waters.

 

He told me he missed his brother, a missionary in Bangladesh, “The Land of Bengal.”

The Indo-Aryan suffix “Desh” derives from the Sanskrit word for “land,”

now combined with a geographical, ethnolinguistic and cultural term

referring to the eastern part of the Indian subcontinent at the apex of the Bay of Bengal.

We spoke of aurochs and angels, the secret of durable pigments, prophetic sonnets.

 

We conspired, “breathing together” about the refuge of art.

 

I last saw Father Banas at his funeral at the grand basilica on the shores of the lake.

A “basilica” is not a “cathedral,” but a church accorded special privileges by the pope.

It houses an “ombrellino,” a silk canopy striped in papal colors of yellow and red,

and a “tintinnabulum,” a bell atop the pole carried in procession on special occasions,

and somewhere within, a basilica also displays the crossed keys symbolic of St. Peter.

 

The funeral of Father Banas, like the future pluperfect of my own,

was not a special occasion, save for the procession of his brother priests.

I remember the reading from the Book of Wisdom:

how the souls of the departed darted about

as sparks through stubble,

 

And how we the living… every one of us, even the poets…

raised our voices in formulaic prayer,

professing the word “thy” three times during the “Our Father,”

invoking the ineffable power of intercession

that “your” does not possess in modern English.

 

This is how I learned that everything simple is complicated.

Words are translations of nuances we universalize and neuter.

Forgive me the length of this poem.

I considered all these words carefully, today,

alone at my breakfast table:

 

in homage to the hallowed life of Father Banas,

in praise of the trespasses of Catullus.

--Bob Varettoni, 4/30/23

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PS- The photo of Paterson behind Talena on top of this page is a sight that inspired another poem I once wrote... "Scenic Overlook."

Poetry Month in New Jersey, 2023

What to do early on a Saturday night in New Jersey?

How about some poetry during National Poetry Month?

This coming Saturday, April 29, the wonderful local Word Seed organization is hosting an event at one of the state's "hidden gem" locations -- the Paterson Museum (2 Market St., near the Great Falls). I've posted the flyer here; the free event starts at 5 p.m.

The program will pay tribute to poets no longer with us from the Silk City's past, including Allen Ginsberg and William Carlos Williams.

Last weekend I visited to see the Poetry Month exhibit there and had the whole museum to myself for a few minutes.

I also stopped by the Museum of Modern Art during lunch hour earlier this week in New York and stumbled across the Dial-a-Poem exhibit there.

Of course, I had to dial 917-994-8949. (And you can too!)

I heard a poem by Frank O’Hara (who died in 1966), then John Cage (who died in 1992), then Bill Berkson (who died in 2016). I was afraid to call again and find out who would die next.

Actually, the MOMA exhibit dates back to 1968, when John Giorno began delivering instant poetry through a free telephone hotline in New York City. So everything on the hotline dates back 55 years or so.

As far as new poetry is concerned... from someone still alive... which would be me, for now... I've been following through on my resolution to write weekly prompted poems this year.

Here are three recent original poems. The first, writing about my hometown; and the second and third poems with the prompts in the titles.

I'm also excited about two upcoming prompted poems, but I'll wait until after Saturday to finish those. I'd like some input first from the ghosts of Allen and William.

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How to Write the Great New Milford NJ Poem

 

Before your start, you must accept

You are invisible.

 

You live in the suburbs.

People walk dogs past your house,

In front of your white picket fence.

Sometimes they stop and peer

Into your dining room window,

Pointing in your direction,

As if they’ve seen a ghost.

 

They don’t know you can see them.

You do not participate in Little League baseball,

Or Junior League football.

Your children left home long ago.

 

The town pool has closed without warning.

Its parking lot, empty; its grounds, overgrown.

Your family used to swim there.

The Burger King is still open.

Decades ago, the borough attorney

Protested the “Home of the Whopper” sign

Because he said it insulted Italian Americans.

Your children used to eat there.

 

Begin now by offering a prayer to Bertha Reetz

At her abandoned stone in the French Burial Ground.

Remain calm when you hear gunshots

From the range behind the Recycling Center.

The police are shooting blanks, scattering the deer

In your town’s only remaining sliver of woods

Along the Hackensack River.

 

Gather the scraps of your neighbors’ families:

Sticky, dirt-crusted Dairy Queen napkins and cups

Littering the curbside along River Road.

Cross the street to the garbage can

At the bus stop outside Canterbury Village.

Use extreme caution. You are invisible to traffic.

 

You return home alone.

You start to write a poem.

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Poetic Words Children Need to Learn

 

Salt-water taffy…

 

in cardboard boxes

Salt-water taffy, the color of swirling rainbows

Salt-water taffy that you can only buy on the boardwalk at the Shore

Salt-water taffy that sticks to your teeth and gums

Salt-water taffy that your mother loves

 

Years later, your mother will grow old,

And you will ask her for memories of when you were young.

She will tell you instead she doesn’t want to think of the past

Because it only makes her sad.

She doesn’t remember the salt-water taffy.

 

Salt-water taffy used to be her favorite.

You need to know that about my mother.

She didn’t always have sad memories.

She knew salt-water taffy wasn’t good for us,

but she loved the taste.

 

The improbable, magnificent sweetness,

now missing from our lives.

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Consider the Inequity in How Lives Were Impacted by the Pandemic

 

Prompt: Write a poem in 2023 contemplating what challenges persist in the aftermath…

 

I can’t write this poem

Because three years have passed

For all of us, equally,

 

Including you.

 

Mark my words:

The only constant in life

Is time’s erosion of inequity…

 

The numbering of our days.

The defenseless of our nights.

Alive or dead.

 

In 2020, I counted bathtub Marys

Adorning suburban lawns

During socially distant walks.

 

In 2023, I still dream of you,

As I might forever.

I have counted every hair on your head.

What's the Best (or Worst) Cover Version of a Song?

A busker in Helen, Georgia, singing "Angel From Montgomery"
as good as John Prine, almost as good as Bonnie Raitt.

What's the best (or worst) cover version you've heard of a favorite song?

I'm "asking for a friend" because -- somewhere in Bergenfield, NJ (I won't say precisely where or when to protect the innocent) -- I recently heard a performance of the worst cover version in the history of Gordon Lightfoot's "If You Could Read My Mind."

It was jangly and upbeat, and I rushed home just to play the original version to restore balance in the world. That's when I also stumbled up another cover of the same song by Johnny Cash. It was heart-breakingly good. Give it a listen...

 

Around the same time, Cash also recorded his famous cover of Trent Reznor's "Hurt" -- which is here, if you're not one of the several hundred million people who have already streamed it.

Perhaps my all-time favorite great cover is Springsteen's version of "Jersey Girl," originally by Tom Waits. Here are 10 others I love:

• "Hallelujah" by Jeff Buckley (originally Leonard Cohen)
• "Tainted Love" by Soft Cell (Gloria Jones, and "our song," according to someone I once dated)
• "Angel from Montgomery" by Bonnie Raitt (John Prine)
• Just about any cover version of "Creep" (although Radiohead's original version is classic)
• "Mad World" by Gary Jules (Tears for Fears)
• "The Sound of Silence" by Disturbed (Paul Simon, a bold choice, considering how Paul's "American Tune" is perhaps my all-time favorite song)
• "Me and Bobbie McGee" by Janis Joplin (Kris Kristofferson)
• "Hasten Down the Wind" by Linda Ronstadt (Warren Zevon)
• "Sweet Jane" by the Cowboy Junkies (Lou Reed)
• "Songbird" by Eva Cassidy (but only as a homage to Christine McVie)

How did I exclude anything by Tori Amos? Well, anyway, those were the first that came to mind on this, Aretha Franklin's birthday.

Aretha, after all, out-covers anyone, even Bruce and Tori, with her version of Otis Redding's "Respect." Did you ever hear her version of Elton John's "Border Song"? She changes the end lyric from "What's his color? I don't care" to the more challenging "What's is color? Do you care?"

As for bad covers, I think I remember The Muppets once singing "We Built This City" about a dozen years ago. But maybe I was hallucinating, and I never much liked original by Jefferson Airplane/Starship anyway.

Perhaps -- having just watched the final episodes of "Daisy Jones & The Six" last night -- I'll say my least favorite cover is U2's version of the otherwise haunting "Dancing Barefoot."

Covering a Patti Smith classic? Some things just shouldn't be done.

What do you think?

Poem: 'Byzantium in Jersey'

My grandfather, 1969, Budd Lake, NJ

Last week's poetry prompt from Dimitri Reyes intrigued me greatly.

"Today is my grandfather's birthday," Dimitri wrote. "Though he is no longer on this plane, I still hear him in my mind and I honor him through voice & spirit... When doing research into my own Puerto Rican culture and discovering how I was going to traverse 'creation myth,' my grandfather's successes and failures helped fill in the spaces -- fully and honestly."

I listened to Dimitri's poem, "Papi Pichón" ("Father Pigeon"), and the poet invited me to "create my own bird."

So this week I couldn't get my own grandfather out of my mind. He died in 1976, and just in the past three months, I've mourned the death of three other close and extended family members.

I also thought of a favorite poem, one I used to recite to my daughters as a lullaby, about the passage of time. This morning -- thinking of Yeats' bird of hammered gold and gold enamelling, and imitating (poorly) the iambic pentameter and rhyme scheme of "Sailing to Byzantium" -- I wrote the following (although, PS, I'm still debating that next-to-last line... considering "This, my father's father's mysterium"):

Byzantium in Jersey

 

This, my grandfather, in his Sunday best:

a cigarette dangling from its holder,

a tattered suit, a worn Italian vest,

with me at his side, decades less older.

He does not hold my hand. There is no rest.

He lectures as we walk, points my shoulders

toward a butterfly he displays to me

along the shores of Budd Lake, New Jersey.

 

This, a back country road, is my classroom:

milkweed, honeysuckle, red columbine,

hummingbirds, spotted touch-me-nots in bloom,

blue robbins’ eggs, goldenrod, dandelions.

My grandfather names them for me, assumes

I will remember that sparrow, that vine,

the chicony, those edible lilies,

the songs of mimicking catbirds we see.

 

These have all vanished for me.

 

I live in the suburbs, reminisce now

about ancestors. One Sunday, I walk

the Hackensack riverbank in a drought.

During the golden hour, a gyring hawk

directs my gaze to a sun-kissed bough

where a crow blinks back in silence, stalking.

This, I know, is my father’s father’s song

of what is past, or passing, or to come.

"Varry and Kate," my grandparents.
Photo by my father.

 

Poem: 'Grief's Cliche'

I have only one prompted poem to offer today for February, and it was written in March.

Another that I wrote was too personal (naming names). I submitted still another for publication (with the assurance it was otherwise unpublished), and the last of the weekly prompts I received from my poetry Patreon was a reading, rather than writing, assignment.

The prompt for the poem below was simply, "How is your body a mausoleum of flowers?"

"Mausoleum of Flowers" is the title of this poem by Daniel B. Summerhill, and the image had special meaning to me as I contemplated the funeral and burial of my uncle on March 2.

For the past week, I couldn't get this short poem out of my head. I kept thinking of the roses pictured here, the ones gathered in front of the altar of Sacred Heart Church in Clifton and later placed upon the grave at Calvary Cemetery in Paterson. This was my first draft:

Missing You

I pricked my finger on the rose
I cast atop your grave.

My droplet of blood,
camouflaged by the buds
the others threw on you.

Then you were hidden too;
your body, a mausoleum of flowers.

While each of us beheld
the shorn beauty of your life
and pretended we would live forever.

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And this is where I landed (revised, 3/24/23):

Grief's Cliche

The rose I cast upon your coffin
is scent-less in the dead winter’s cold.

Thorns, rendered painless;
my fingertips, numb.

Curiously, I see a timid trickle of my blood
mix with the petals already covering you.

Then, lost in red, you are hidden too:
Your body, a mausoleum of flowers.

I exhale. A puff of air dissipates like incense.

My life shorn, my body suspends itself.

Lungs empty, I kill time at your grave.

I crave belief, yet question all truths:

This pretense I am sharing
a final breathless moment with you.

Remembering Fr. Julian in 1,000 Words

93 years ago today, a mother was cradling her first-born son in her arms at St. Mary’s Hospital in Passaic, NJ.

She had been told her newborn had only days to live or, at best, would spend his life in a wheelchair.

She was a woman of strong Catholic faith, and she offered both their lives to the service of God, if only He would spare her son.

Her name was Rachel Varettoni. She was my grandmother, and I called her “Nonna.” She lived a long, devout life of service – raising and supporting a family of three boys, and instilling in them a profound faith in God’s goodness – and she died 22 years ago on the eve of her 100th birthday.

I called her first-born son “Father Julian.” He fully recovered, albeit (as his beloved nephew Bill reminds me) with one leg shorter than the other, resulting in chronic back pain later in life. As his mother had vowed, Fr. Julian indeed devoted his life to God. He grew, both physically and spiritually, to be the strongest man I ever knew.

That’s us in the photo, after he carted toddler-me around the grounds of his parents’ home in Budd Lake. It was a modest farmhouse on a fair-sized plot of land, purchased during The Depression, where Fr. Julian was its lifelong caretaker. It’s where he suffered a seizure that led to his death last Thursday night on the literal eve of his 93rd birthday.

 

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Fr. Julian with my sister; Budd Lake, circa 1969;
he chopped all the wood in the background.

Most people remember Fr. Julian at the altar. He was pious. His sermons were thoughtful and eloquent. They didn’t come easily to him since he was uncomfortable as a public speaker. Few people realized this because he practiced diligently – and enlisted the aid of my father with some of his words – to give sermons that would make his mother proud.

He accomplished so much as a parish priest in service to the Roman Catholic Diocese of Paterson. You can read about this in his obituary: his devotion to music ministry (which he also inherited from his mother); his progressiveness in the service of those in need; his lifelong joy in building and fixing and refurbishing… most often with his own capable hands.

Fr. Julian at the altar at my parents' wedding in 1955.
Dad waited to propose to Mom until after his brother
was ordained so he could officiate at the Mass.

He was also the priest at every family wedding, and present at every family gathering. Decades ago, before cell phones, he would record family events with a video camera perched on his shoulder. He also chronicled details of vacation trips on a portable tape recorder.

Fr. Julian was an adventurous traveler: once taking my mother up in a hot-air balloon over Colorado, and once taking my sister Sue and me on his parish’s pilgrimage to Rome. He led us up the centuries-old stone steps of an otherwise closed parapet so we could see a breath-taking, God’s-eye view of St. Peter’s Square.

He married my Mom and Dad. He was the priest at every family funeral. He buried his parents and my Dad. Later in life, he said Mass for my wife and children and me around Nonna’s dining room table every Christmas Eve.

But here’s what I remember most about Fr. Julian. I remember him most in Budd Lake, where he returned for decades every Wednesday on his day off and on Sundays after Masses, to take care of his mother and their home.

When they were young, Fr. Julian and his brothers used to sit on the brick steps by the front porch and harmonize in song. The house faced Route 46, which was a country road back then, and the brothers tried to identify each car by the make and model as it passed. Fr. Julian always won this game, because he could identify the make and model of every car by the sound of its engine, before it was even in sight.

Nonna with her three sons on her 99th birthday.

When I was a boy, I watched Fr. Julian effortlessly perform tremendous feats of strength. He was a carpenter, like Jesus. But he was also an electrician and an architect and a plumber and a gardener. He could fix anything. He could build anything. He would always buy whatever he needed at Sears.

In the summer, he shucked freshly picked rhubarb with the same sure and graceful hand movements of a concert violinist. In the fall, he loved the solitude and repetitive grace of roaming his land on his tractor to collect the fallen leaves.

I once visited him in his basement workshop and heard him, alone, giggling like a schoolboy. Fr. Julian had taken apart his car’s carburetor, and he was reassembling its hundreds of intricate pieces… simply for the joy of it.

Fr. Julian enjoyed jigsaw puzzles; here's the one
he was working on before he died.

As the years went on, and some of the property was sold, Nonna’s garden and grapevines shrank in size, and now lay barren after her death. All the bottles of her homemade wine are empty, but the small greenhouse Fr. Julian built for her still stands. So do the remnants of a path that he cleared behind the old garage. He had installed Stations of the Cross in that small patch of woods, where he and his mother could wander and pray.

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Now this extraordinary life has come full circle.

I learned the sad news about Fr. Julian’s death in a phone call from my sister. They were especially close, and my strong sister Sue was in tears. I had taken my Mom to visit with Fr. Julian just days earlier, and it was such a happy, life-affirming visit. Sue was happy to hear this. My wife, when I told her about Fr. Julian’s death, remarked that it was “the best birthday present he could have gotten.”

She said this because Fr. Julian had a profound, unquestioning faith handed down from his mother. My own mother told me that during their recent visit Fr. Julian said he was ready to go “home.” So this is what I believe, without any doubt:

Fr. Julian woke up on his 93rd birthday in Heaven, with Nonna holding him in her arms once again.

Mom, me, and Fr. Julian this past Monday

Love Thee, Notre Dame

This Facebook post.

 

ChatGPT Gets Us: An AI Conversation With 'Jesus'

The message in RF: "Jesus still believes with two outs in the 9th."

I first saw one of the "He Gets Us" advertisements splayed across the right field fence at a Pittsburgh Pirates game in September.

I thought it was silly.

Fast forward to the Super Bowl (am I even allowed to call it that here?), and the video ads produced by an evangelical Christian initiative, The Signatry, caused quite a stir.

Although hardly a speck as much as historical Jesus.

I was puzzled by Alexandria Ocasio-Cortez's tweet calling out the ads for "making fascism look benign." After all, one had simply shown photos of people arguing and fighting, with "Human" by Rag'n'Bone Man playing in the background. The message: "Jesus loved the people we hate."

Then I read more about The Signatry's funding, and I understood the backlash -- although, to be honest, I agree more with author and Catholic scholar Phyllis Zagano's analysis, which I linked to above. She concluded:

Whether the evangelical Christian presentation of the story of Jesus is or is not aligned with specific denominational beliefs, it has the right to be presented. And if people want to spend their millions doing so, they can, because the United States is a country free of fascism.  

I also asked ChatGPT what "Jesus" might make of all this. The AI chatbot obliged, with the proviso that "I'll do my best to simulate a conversation with Jesus Christ. However, it's important to remember that this is a purely fictional conversation, and it's up to you to determine what you believe in."

Here's my Q&A with a simulated version of God. It's unedited, and sometimes redundant, but on the whole I found it surprisingly on point. Perhaps with the exception of the robotic "thoughts and prayers" response about the earthquake.

Jesus, why should I believe in you?

I would say that belief in me should be based on a personal conviction and faith, rather than simply accepting my existence as a matter of fact. I believe that I am the Son of God, and that through me, people can have a personal relationship with God and receive eternal life.

It's understandable that you may have doubts or questions, and I encourage you to seek the truth for yourself through reading the Bible, praying, and seeking guidance from others. Ultimately, the decision to believe in me or not is a deeply personal one that requires reflection, contemplation, and faith.

Did you truly perform miracles?

As a figure of Christian faith, it is believed by many that I performed miracles during my time on earth. According to the New Testament, which is the primary source for my life and teachings, I performed many miraculous acts such as healing the sick, feeding the hungry, and even raising the dead.

However, it's important to note that the veracity of these events is a matter of faith and belief, and different people may have different interpretations of them. Some may see these events as literal, while others may view them as metaphorical or symbolic expressions of spiritual truth.

Regardless of how one chooses to interpret these stories, the underlying message is one of love, compassion, and hope. The miracles that are attributed to me were intended to inspire faith and encourage people to live according to God's will, which is to love one another and seek justice and peace.

What if people find it difficult to believe you are the Son of God?

It's understandable that some people may find it difficult to believe that I am the Son of God. Faith is a personal and complex matter, and there are many factors that can influence one's beliefs and doubts.

In response, I would encourage you to approach the question of my divinity with an open mind and heart, and to explore the evidence for and against this belief. Reading the Bible, seeking guidance from trusted spiritual advisors, and engaging in personal reflection and prayer can all be helpful in this process.

However, it's also important to acknowledge that faith is not necessarily based on empirical evidence or rational argument alone. Belief in me as the Son of God requires a personal and spiritual transformation, a leap of faith that is rooted in the heart and soul rather than the mind.

Ultimately, the decision to believe in me as the Son of God is a deeply personal one that requires a willingness to trust in something beyond oneself. It is my hope that those who seek to know me will find the truth, love, and meaning that they are searching for.

What is love?

Love is a central theme of my teachings, and it is one of the most important concepts in Christianity. At its core, love is a selfless and sacrificial act of caring for others, putting their needs before your own, and seeking their highest good.

In the Bible, it is written that "God is love," and my life and teachings were a demonstration of this love in action. I taught my followers to love their enemies, to forgive those who wrong them, and to care for the poor and marginalized.

Love is not just an emotion or feeling, but it is something that we actively choose to do. It is a way of life that involves putting others before ourselves, seeking justice and peace, and treating all people with dignity and respect.

Ultimately, love is the foundation of all human relationships and the key to a fulfilling and meaningful life. It is my hope that all people will learn to love one another as God loves them, and in doing so, experience the fullness of life that God intends for us.

A photo from last night, at St. Paul's Church
near Columbus Circle in Manhattan.

What is your most important message to me today, in 100 words or less?

My most important message to you today would be to love one another as you would want to be loved, and to seek a deeper relationship with God. By loving others with kindness and compassion, you can make a positive difference in the world and bring hope to those who are hurting. And by seeking God through prayer, reflection, and service, you can find the peace, wisdom, and guidance that you need to navigate the challenges of life. Trust in God's love for you, and seek to share that love with others in everything that you do.

Jesus, what would you say to Donald Trump and Joe Biden if you could speak to them today?

As someone who taught about love, compassion, and service to others, I would encourage both Donald Trump and Joe Biden to seek to govern with these values in mind. I would remind them that true leadership is not about power or personal gain, but about serving the needs of the people they represent.

To Donald Trump, I would urge him to seek unity and reconciliation, and to put the needs of the country above his own personal interests. I would remind him that he has a responsibility to govern justly and to care for the marginalized and vulnerable in society, and that this requires humility, compassion, and a willingness to listen to others.

To Joe Biden, I would encourage him to lead with integrity and to seek justice and equality for all people, regardless of their race, gender, or socioeconomic status. I would remind him that he has been entrusted with a great responsibility to govern wisely and justly, and that this requires courage, compassion, and a commitment to serving the common good.

Ultimately, as I taught in the Bible, true leadership is about serving others and putting their needs above our own. My hope would be that both Donald Trump and Joe Biden would seek to embody these principles in their leadership, and that they would work together for the good of the nation and the world.

Jesus, what would you say to someone who doesn't believe in you?

To someone who doesn't believe in me, I would first of all want to say that I love them and that I am always present for them, even if they do not recognize me. I would also encourage them to explore my teachings and to seek to understand who I am and what I stand for.

I would remind them that faith is a personal choice, and that I do not force anyone to believe in me. However, I would also encourage them to consider the evidence for my life and teachings, and to seek to understand the impact that I have had on the world.

Ultimately, I believe that the most important thing is to seek the truth, and to be open to the possibility that there is a greater purpose to our lives than what we can see or understand. As I taught in the Bible, "Seek and you will find, knock and the door will be opened to you" (Matthew 7:7).

Whether or not someone believes in me, I will always be present for them, and I will always offer them my love and grace. My hope is that all people will come to know me and to experience the fullness of my love and grace in their lives.

Jesus, what would you say to the earthquake victims in Turkey?

To the earthquake victims in Turkey, I would first of all want to express my deep sorrow for the loss and suffering that they are experiencing. I would want them to know that I am with them in their pain and that I share in their grief.

I would also want to remind them that they are not alone, and that there are many people who are working to provide support and aid to them in their time of need. I would encourage them to reach out for help and to support one another in this difficult time.

Above all, I would want to offer them hope and comfort in the midst of their suffering. I would remind them that even in the darkest moments of life, there is always hope for a brighter future. I would encourage them to turn to me for strength and guidance, and to trust in my love and mercy.

As I taught in the Bible, "Blessed are those who mourn, for they will be comforted" (Matthew 5:4). My hope is that all those affected by this tragedy will find comfort and peace in the midst of their pain, and that they will come to know the fullness of my love and grace in their lives.

There's No 'AI' in 'Poetry'

Named after The Muppet's Bunsen Honeydew

Silly me.

On a cold Saturday morning in New Jersey, I cuddled up with ChatGPT and asked the artificial intelligence (AI) chatbot a series of absurd requests, such as "write a three paragraph love letter to a penguin."

I was amused by the amusing result, so I tweeted this screenshot of it:

The next morning, I received this prompt on my quest to write weekly poem in 2023:

Can I Call you Rose? Listen to this song -- "Can I Call Your Rose?" by Thee Sacred Souls -- and get inspired to write your own love poem! And start with "Can I call you (fill in the blank)?"

So this is what I wrote:

Love Poem for Dr. Bunsen

Can I call you Honeydew?

I remember the whimsical days,

when my daughters were young,

and they adopted you.

So I fell in love with a penguin.

It wasn’t you, Dr. Bunsen; it was me.

Your beauty and grace in the water are unmatched,

and I cannot help but be drawn to you.

I visited you once at the boardwalk aquarium.

A thick wall of glass cast a glamorous haze,

and you won my heart

with your playful antics, your curious gaze.

Now seven years have passed,

regenerating every cell in my body.

Time has transfigured you too:

You have become my daughters.

I proclaim the same to all of you:

I am fully aware that our lives and worlds

are very different,

but I want to protect you.

I cannot imagine my life without you.

Can I call you Honeydew?

---------

I don't pretend to be a poet, but inspired by AI, "Love Poem for Dr. Bunsen" contextualizes a random prompt, a generalized bond between fathers and daughters, and specific personal memories to create something that didn't exist until now.

Posted here, I expect it will be scanned by Google's cloud and become part of something larger. Whether the poem is good or bad is subjective, but at least it's authentic and unique.

That's what I crave more than anything else: not to be boxed in, or characterized, by my age, gender, job, race, residency, past purchases, or by the thousands and thousands of other data points the cloud has collected about me.

I rage against this machine. I don’t pretend to be a poet, but I refuse to be an algorithm.